Exhibitions
0+Kokoshnik Headdress. Beauty Traditions
Kolomenskoe
April 12 – June 18, 2023
Tue. - Thu., Sun. 10:00-18:00
Palace of Tsar Alexey Mikhailovich, Great Exhibition Hall: bldg 69, 39 Prospekt Andropova
The exhibition open 12 April 2023 at the Palace of Tsar Alexey Romanov shows various types of traditional Russian women’s headdresses dating from mid XVIII to late XIX centuries. Here you will see special occasion and everyday headdresses, both for married women and young girls.
Headdresses make an integral part of the Russian national costume. In peasants’ and merchants’ families, they would be handed over from mother to daughter. Thus, they have great value for insight into and study of the Russian material culture.
The Russian folk costume changed little overtime. Townsmen had to modernize their looks radically after Peter I issued decrees that banned wearing old Russian traditional dress, but this innovation did not affect villagers. Thus, the Russian folk dress, including headdress, became the main form of the national costume that retained ethnic individuality. Moreover, the women’s dress remained more traditional as women were less mobile than men – the latter would go to town for earnings and could take over some town dress elements. What is a still important, there were superstitious beliefs that traditional fashions and finishing of the dress would protect their owner from evil people or spirits. And who else but the woman, guardian of the family traditions and hearth, who carries, bears and brings up the family successors, needs this protection more?
Gradually, there developed local variations of the national Russian costume, including headdresses, which had exclusive traits. For example, the so-called ‘unicorn’ headdresses, protruding over the forehead, were typical of Olonets province (Karelia) while tall pointed headdresses betrayed locals of Kostroma or Yaroslavl. Double-horn, or crescent shaped, headdresses were popular in Vladimir and Nizny Novgorod provinces and then spread further east to the Central Volga region.
In the Central Volga, historically multi-ethnic, the Russians could include the elements of both northern and southern national costume in their dress. There you could come across the full-length sarafan (sleeveless dress) and the tall kokoshnik headdress typical of North Russia as well as the homespun ponyova skirt and the crown-shaped kika headdress usually found in the south. The National Museum of the Republic of Tatarstan has provided a rich collection of the Russian costume, various in type and origin, for the present display. The headdresses that you can see present a wide range of the Russian regions and cities: Arkhangelsk, Olonets (north), Yaroslavl, Kostroma, Galich, Tver, Moscow (center), Tula, Ryazan, Voronezh (south), Vladimir, Nizhny Novgorod (central east), as well as Kazan, Sviyazhsk, Ufa and other Central Volga cities.
We recommend you to join a special group guided tour of the exhibition to make your visit still more interesting and exciting
F.S.Zhuravliov: Boyar’s Daughter, 1896. State Museum of Fine Arts of the Republic of Tatarstan
Unknown painter: Portrait of a Young Girl in a Russian Costume, first half of the XIX century. State Museum of Fine Arts of the Republic of Tatarstan
Kokoshnik, Kostroma province, end of the XVIII century. New Jerusalem Museum
Kokoshnik, Kostroma province, XIX century. New Jerusalem Museum
Special-occasion woman’s headdress (kokoshnik). National Museum of the Republic of Tatarstan
Special-occasion married woman’s headdress (kokoshnik). National Museum of the Republic of Tatarstan
Fillet, XIX century. Ethnographic Museum with the Kazan Federal University
Hair clumper (shamshura), Vologda province. End of the XIX century. Kolomenskoe Museum-Reserve
Special-occasion married woman’s headdress (kokoshnik). National Museum of the Republic of Tatarstan
F.S.Zhuravliov: Boyar’s Daughter, 1896. State Museum of Fine Arts of the Republic of Tatarstan
Unknown painter: Portrait of a Young Girl in a Russian Costume, first half of the XIX century. State Museum of Fine Arts of the Republic of Tatarstan
Kokoshnik, Kostroma province, end of the XVIII century. New Jerusalem Museum
Kokoshnik, Kostroma province, XIX century. New Jerusalem Museum
Special-occasion woman’s headdress (kokoshnik). National Museum of the Republic of Tatarstan
Special-occasion married woman’s headdress (kokoshnik). National Museum of the Republic of Tatarstan
Fillet, XIX century. Ethnographic Museum with the Kazan Federal University
Hair clumper (shamshura), Vologda province. End of the XIX century. Kolomenskoe Museum-Reserve
Special-occasion married woman’s headdress (kokoshnik). National Museum of the Republic of Tatarstan
F.S.Zhuravliov: Boyar’s Daughter, 1896. State Museum of Fine Arts of the Republic of Tatarstan
Unknown painter: Portrait of a Young Girl in a Russian Costume, first half of the XIX century. State Museum of Fine Arts of the Republic of Tatarstan
Kokoshnik, Kostroma province, end of the XVIII century. New Jerusalem Museum
Kokoshnik, Kostroma province, XIX century. New Jerusalem Museum
Special-occasion woman’s headdress (kokoshnik). National Museum of the Republic of Tatarstan
Special-occasion married woman’s headdress (kokoshnik). National Museum of the Republic of Tatarstan
Fillet, XIX century. Ethnographic Museum with the Kazan Federal University
Hair clumper (shamshura), Vologda province. End of the XIX century. Kolomenskoe Museum-Reserve
Special-occasion married woman’s headdress (kokoshnik). National Museum of the Republic of Tatarstan
Kokoshnik is by right regarded as the smartest of Russian headdresses. Its name comes from an ancient Russian word ‘kokosh’ meaning ‘a hen’ – the headdress was compared to a crest on the bird’s head. Kokoshnik was designed for married women: it entirely covered the hair (in old days, it was scandalous for a married woman to appear bareheaded outdoors or in the presence of strangers).
The front of the headdress was richly decorated with pearl and nacre, colored glass beads or natural precious stones, trimming, embroidery, ornamental silk inserts or colored foil. The back was made of silk or velvet and decorated with ornamental embroidery in gold thread. But despite the common standards of design and finishing there was no region that had two completely identical headdresses!
Besides kokoshnik’s, there was a great variety of women’s headdresses in use, all of them presented on display. Here you will see crown-shaped kika’s and soroka’s (lit ‘maggie birds’), bonnet-like povoinik’s and volosnik’s as well as narrow fillets and chaplets (the latter were intended for unmarried girls only).
The exhibition showing elements of the Russian national dress would be incomplete without the dress itself. On display you will see special-occasion women’s dresses from Arkhangelsk, Voronezh and Kazan provinces. Silk kerchiefs embroidered in gold thread as well as cheap popular prints and painting will make the picture complete.
The project has been realized in partnership with the National Museum of the Republic of Tatarstan, the State Museum of Fine Arts of the Republic of Tatarstan, the Ethnographic Museum with the Kazan Federal University (Tatarstan) and the New Jerusalem Museum (Istra, Moscow region).
Here you can watch a video on the exhibition installation and opening.